Leibovitz v. Paramount Pictures
Quick Summary
Paramount ran a movie ad that mimicked Annie Leibovitz’s famous Demi Moore pregnancy photo. The court said this ad was a parody and counted as fair use. Even though the ad was commercial, it made a new joke, did not replace the market for the original photo, and could copy enough to remind viewers of the original.
Issues
- Does a commercial parody of a photograph qualify as fair use?
- How do the four fair use factors apply to a parody in an advertisement?
- Can copying “more than necessary” still be fair when it helps the joke land?
Rules
- Four Factors: purpose/character of use; nature of work; amount/substantiality; market effect.
- Parody Principle: A parody may copy recognizable elements to “conjure up” the original if it adds new meaning or message.
- Market Harm: If the parody does not act as a substitute or harm the licensing market, this favors fair use.
- Commercial ≠ Automatically Unfair: Commercial use is one factor; it does not decide the case by itself.
Facts (Timeline)
Arguments
Appellant (Leibovitz)
- The ad copied the look and feel of the photo, including pose and lighting.
- The use was commercial advertising, not commentary.
- The copying went beyond what was needed to recall the original.
Respondent (Paramount)
- This was a parody that mocked the iconic image.
- Any close similarity was needed so viewers “get the joke.”
- The ad did not replace or harm the market for the original or its licenses.
Judgment
The Second Circuit upheld summary judgment for Paramount. The court treated the ad as a parody that added new meaning and did not cause market harm. Commercial context did not defeat fair use.
Ratio (Core Reason)
A work that parodies a well-known photograph may copy distinctive elements if this helps audiences recognize the target and understand the joke. When the parody changes meaning and does not invade the photo’s market, fair use can apply even in advertising.
Why It Matters
- Sets a student-friendly example of parody as fair use after Campbell v. Acuff-Rose.
- Shows that commercial ads can still be fair if they transform and do not harm the market.
- Clarifies that “conjure up” may allow more copying when needed for the joke.
Key Takeaways
- Parody transforms the original with new meaning or message.
- No market substitute: parody should not replace licenses for the original image.
- Commercial factor is not a knockout blow to fair use.
- Enough copying is allowed to make the parody recognizable.
Mnemonic + 3-Step Hook
Mnemonic: P.A.R.O.D.Y.
- Purpose = parody
- Amount = enough to recall
- Recognition = joke lands
- Original market unharmed
- Doesn’t substitute
- Yes, even if commercial
3-Step Hook
- Spot the parody.
- Run the four factors.
- Ask: market harm? If no—fair use likely.
IRAC Outline
| Issue | Is Paramount’s ad a fair use parody of Leibovitz’s photograph? |
|---|---|
| Rule | Four-factor fair use test; parody may copy enough to recall the original if it adds new meaning and causes no market harm. |
| Application | Ad closely mimicked the look to make the joke clear; transformed tone and message; no proven market loss for the photo or licenses. |
| Conclusion | Fair use; judgment for Paramount affirmed. |
Glossary
- Parody
- A work that imitates another to comment on it or joke about it.
- Conjure Up
- Copying just enough of the original so the audience recognizes it.
- Market Harm
- Loss of sales or licenses for the original due to the secondary use.
FAQs
Related Cases
Campbell v. Acuff-Rose Music
Supreme Court case that shaped parody analysis under fair use.
Fair Use ParodyRogers v. Koons
Earlier Second Circuit art-appropriation case distinguishing parody and satire.
Appropriation CopyrightFooter
Slug: leibovitz-v-paramount-pictures
Reviewed by The Law Easy.
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